WRITING THE FEATURE FILM INTENSIVE:

AN INTRODUCTION & GETTING STARTED

A Course by Michael Uno

COURSE DESCRIPTION

Over the course of six instruction-days, Instructors will lead students through a detailed examination and analysis of notable feature films, identifying the basic elements common to them all; and leading to a concrete methodology for developing each student’s own “pet idea” — which they have brought into the class — turning that into the viable basis for a future feature film screenplay.

As THE SCENE is the most basic building block of any screenplay, students will first receive detailed instruction in how best to write a proper scene.  Students will study and analyze particularly memorable scenes from notable films; and will then be guided through the creation of essential scenes from their own film ideas.

Students will also learn how scenes are themselves merely elements of SEQUENCES, which are in turn the essential component — structural beams, if you will — of FEATURE FILM CONSTRUCTION.  Students will gain a thorough understanding of how proper feature film structure guides and transports an audience through the story — incorporating “rising action”, story-turns, character-development, crises, etc. — to a satisfying and fulfilling story climax/resolution.  Students will learn how this resolution is essentially the demonstration of their own story’s THEME, the underlying core-concept which drove them to the creation of their own “pet idea.”

THE GOAL for the course will be for each student to leave with a polished feature film TREATMENT — a 6- to 8-page detailed outline of the scenes of their film story — that they can later pursue on their own in writing their feature film screenplay.

Each student will also generate at least one polished KEY DIALOGUE SCENE for their screenplay, which during the course they will have the opportunity to hear performed aloud in STAGED READINGS held during class time.  

In the intervening weeks between weekend class sessions, students will write homework for the next class session. 

Michael Uno

Lead Instructor

MICHAEL TOSHIYUKI UNO has spent two-thirds of his time on the planet involved in filmmaking. He began his film career in 1976 in the Washington, DC area, where he got his start in documentaries and educational narratives. He worked on two PBS 6-part series’, “PACIFIC BRIDGES” (1976) and “PEARLS” (1978); and later culminated his DC journey in 1980 with a National Daytime Emmy Award for Best Daytime Dramatic Special. 

Later that year, he entered the American Film Institute (AFI) as a Directing Fellow, which culminated two years later with his receiving an Academy Award Nomination in Live Action Short for his 1982 AFI film, “THE SILENCE”. He became a Director member of the Directors Guild of America in 1984, and in that capacity has directed 15 cable movies & telefilms, and 12 network & cable episodes.

Michael was one of the very first pioneering Asian American narrative filmmakers, and his theatrically-released independent feature “THE WASH” (1988) achieved three IFP Award nominations — Best First Feature, Best Actress, and Best Supporting Actress — from the Independent Feature Project (now Film Independent). Among numerous other honors, “THE WASH” also received the Audience Award at the 1988 Hawaiian International Film Festival.

Michael has been nominated three times for Best Director in the ACE Awards, for the mini-series “HOME FIRES” (Showtime Network), the anthology special “VIETNAM WAR STORY — AN OLD GHOST WALKS THE EARTH” (HBO), and the cable movie “WITHOUT WARNING: THE JAMES BRADY STORY” (HBO). He also earned a DGA Best Director Nomination for one of his first DGA efforts, “THE WAR BETWEEN THE CLASSES”, which also won a National Daytime Emmy for Best Daytime Dramatic Special.

During his career, Michael has interacted with a consistently high level of professional talent. He has directed fully a dozen actresses & actors that have at one time or another achieved at least one Academy Award nomination: Mako, Joan Allen, Laura Linney, Cicely Tyson, Joanne Woodward, Piper Laurie, Tess Harper, David Strathairn, Eric Roberts, Paul Winfield, Juliette Lewis, and Michelle Williams. He has directed numerous others who have achieved awards or nominations for Emmy & ACE Awards, Golden Globes, SAG Awards, Independent Spirit Awards, and other major honors. The list includes such notables as Nobu McCarthy (IFP Best Actress Nominee for “THE WASH”), Wesley Snipes (Best Actor Winner, ACE Awards), Peter Strauss, (Emmy winner & 5-time Golden Globe Nominee), Nicollette Sheridan, Penny Johnson, Barry Corbin, Steven Root, Rick Schroder; and numerous other well-known industry veterans.

In 2001, Michael turned to teaching while shifting focus to development & screenwriting; and in 2002, began teaching Directing and film production at the School of Cinematic Arts at the University of Southern California. He taught there since 2002, becoming full-time in 2005; and since then served 3 & 1/2 years each as Head of the Directing Track, and Director of Graduate Studies. It was during this time that he became acquainted with Juan Martinez Vera in the renowned 546 Film Production class, which also counts as distinguished alumni both Ryan Coogler (“BLACK PANTHER” 1 & 2, “CREED”) and Stephen Caple (“CREED TWO”).

Michael retired from USC in 2020, but has continued to teach in Vietnam and China, both in- person and on-line.

Juan Martinez Vera

Class Advisor

In 2010, Juan graduated from UCLA with a B.A. in Political Science and a minor in Film, Television and Digital Media. While at UCLA, Juan directed, wrote, and produced over 35 projects that included soap operas and the college’s award-winning News show. Immediately after graduating from UCLA, Juan attended the USC School of Cinematic Arts where Juan received the honor to be one of three directors selected to direct an advanced project funded by the university. In his last year at USC, Juan received the prestigious Alfred P. Sloan Foundation Grant to write and direct the project, SPARK. This film went on to receive a US Student BAFTA Award nomination, an award for Best Student Latino Director from the Director’s Guild of America, and a national distribution deal from HBO. Most recently, Juan produced the feature film, Cabarete at the Dominican Republic, worked at Starz as a showrunner assistant and directed the independent feature film, SPIKED. This film was acquired for national distribution and was later acquired by international distributors at the European Film Market for international release.

Juan’s goal as a filmmaker is to inspire people to use their imagination to transform their reality. 

Register by August 12th

Price for Class: 

$750 USD

Class Size:

12

Location: 

Institute of Musical Arts

3210 W. 54th St., Los Angeles, CA 90043

Register Below

PLEASE NOTE:

TRANSFER: There is no way to transfer the course registration once is purchased.

WITHDRAWAL: To receive a refund (less a $50 administrative fee), you must let us know in writing that you won’t be attending the workshop at least 10 business days before the workshop starts.  Please use the form above to send a message stating you want to withdraw from the class.

EXPENSES: The Instructors are not responsible for participants’ expenses related to attendance at its workshops.

RECORDING: Audio and video recording are not allowed.

SPECIAL NEEDS: We will make every effort for our workshops to be accessible. If you are a person with disabilities or special needs, please let us know at least two weeks before the training so that we can do our best to accommodate you.

After completing the registration form below, you will be contacted with further details.